Short Film Review: ‘B for Bachata’ – A Lighthearted Yet Meaningful Exploration of Cultural Identity

When it comes to culture, how significant is music and dance to a people’s identity? Is it an integral part of who we are, or just another attribute we can overlook and underappreciate?

B for Bachata takes this question head-on in a simple yet thoughtful comedic drama that unfolds in just 13 minutes. Written and directed by Ricky Rosario, the film dives into themes of cultural identity, family heritage, and self-discovery, all through the lens of one of the Dominican Republic’s most cherished traditions, Bachata.

In simple ways, this is like a coming-of-age story following Yonathan (played by Andresito Germosen De La Cruz), a young Dominican American celebrating his college graduation at a lively family BBQ. As music and dancing fill the air, the conversation shifts to Bachata, a music genre and dance style deeply rooted in Dominican culture. To everyone’s surprise, Yonathan admits he has never danced Bachata before. He’s barely familiar with it. He resolves to search more about it online. But his cousins Manny (played by Cesar Pichardo)and Beatris (played by Franceli Chapman), are unimpressed. Their disappointment quickly turns into lighthearted teasing and pointed criticism about Yonathan’s disconnection to his Dominican roots. What starts as a casual conversation between family members soon unravels deeper layers of cultural disconnection, the weight of heritage, and the ways in which identity is both inherited and learned. As Yonathan delves further into this music and dance style and he learns the connection it has with his family and ancestry.

At first glance, this short film feels like an informal introduction or even a PSA about Bachata for anyone unfamiliar with its significance. But beneath the surface, it’s a deliberate attempt to capture and preserve a crucial part of Dominican culture. B for Bachata uses dance as a thematic symbol for heritage, personal connection, and the generational bridges we sometimes fail to cross.

The film takes a lighthearted approach to delivering its message. The dialogue feels casual, like real cousins teasing each other at a party, but there’s an undeniable depth to their exchange. The conversations reference contemporary trends and pop culture figures before transitioning into something more profound. When Yonathan’s mother Maria (played by Glorelys Mora) joins in, the discussion shifts from playful mockery to an eye-opening history lesson. Through her, they learn about their grandfather a pioneer who played a vital role in promoting and preserving Bachata.

Ricky Rosario’s filmmaking sensibilities are shone through the way he blends this narrative storytelling with documentary-style elements. Besides the dialogue, the film weaves in archival footage, musical performances, and close-up shots of Dominican food which also feels like a deliberate celebration of culture.

The stylistic choices make B for Bachata feel like both a fictional narrative and a cultural tribute.

By the end of the film, Yonathan is no longer just a passive observer of his heritage. He becomes more knowledgeable, more appreciative, and most importantly more connected to his roots. And it all starts with something as simple as music and dance.

While this film is mildly charming and engaging, its brief runtime leaves room for a deeper dive into its themes.

I will score this film 3.5 out of 5 stars.