Published
3 weeks agoon
In ‘Daruma‘, director Alexander Yellen and writer Kelli McNeil deliver a poignant and heartwarming drama that explores themes of love, family, self-redemption, and personal growth. The film takes a refreshingly grounded approach by centring its narrative on characters with disabilities, presenting them not as figures to be pitied but as deeply human, flawed, and capable of transformation.
The story follows Patrick (played by Tobias Forrest), a wheelchair-bound veteran whose life is defined by bitterness and debauchery. Patrick spends his nights partying at strip clubs and drowning himself in alcohol, a lifestyle that indirectly led to the accident confining him to his wheelchair. His abrasive personality frequently clashes with his older, double-amputee neighbour, Robert (played by John W. Lawson), a fellow veteran who harbours his cantankerous charm.
Patrick’s world is upended when he learns of Camilla, the four-year-old daughter he never knew he had. Following her mother’s death from cancer, Camilla is at risk of becoming another victim of the foster care system unless Patrick steps in to take care of her.
Patrick initially is hesitant and you can’t fault him. He didn’t even know Camilla existed and he believes he is incapable of being responsible for a child. He changes his mind after he learns that accepting to take care of Camilla would make him a beneficiary of her mother’s life insurance policy until she comes of age.
Motivated by the 4000 dollars monthly allowance, he accepts to take care of Camilla but he soon realizes that it is not as easy as he thought and admits that he can’t be responsible enough to cater for a minor. He agrees to take her to her grandparents who are across the country. With no one to help him make that trip by road, he enlists the help of Robert his neighbour.
The simplicity of the narrative is one of ‘Daruma’’s strongest attributes. It allows the film to focus on its characters and their emotional journeys without over-complicating the plot. As Patrick and Robert embark on their journey, they form an unlikely bond that mirrors a father-and-son dynamic. Through shared vulnerabilities, they confront past traumas, discuss their failings, and begin to reconcile with their choices. Patrick’s reflection on his accident and its consequences serves as a powerful catalyst for his growth, pushing him toward accountability and redemption.
One of the most compelling aspects of the film is its nuanced portrayal of Patrick. While his bitterness initially makes him unlikable, his layered character reveals a man grappling with guilt, self-loathing, and a desperate need for connection. His interactions with Anna (played by Abigail Hawk), a woman who seems genuinely interested in him, highlight his insecurities. Fearing she is only after his money, Patrick’s internal struggle with trust and self-worth adds another layer of depth to the character.
The performances in ‘Daruma‘ are commendable, particularly from the leads, who are persons with disabilities themselves. Their portrayals of Patrick and Robert feel authentic and packed with emotional resonance. Victoria Scott also handles herself well in her role as Camilla bringing to bear the innocence, naivety and genuine love that contributes to Patrick’s growth.
Visually, Alexander Yellen adopts a straightforward approach that complements the film’s narrative simplicity. The cinematography often reflects Patrick’s perspective, subtly immersing the audience in his view of the world. However, the film avoids presenting his disability as a source of hopelessness. Instead, it focuses more on his acceptance of his situation and his eventual desire for change. This in many ways captures the film’s theme of resilience over despair.
With a runtime of just 90 minutes, the film strikes a balance between depth and being concise. However, certain sections feel rushed, particularly as they approach the climax. This pacing may leave viewers wishing for a bit more time to fully absorb the emotional weight of the characters’ transformations but it could also make some feel like its dragging on for too long.
‘Daruma’ is truly not a film about overcoming disability but about confronting one’s mistakes, taking accountability, and finding redemption. It’s a story about growth and the unexpected relationships that help us heal. I will score it 7/10.
Though it occasionally feels hurried, its narrative succeeds in delivering a heartfelt and introspective drama. It challenges perceptions whilst celebrating humanity and proving that growth often comes from the most unexpected places. I would certainly recommend this film as a heart-warming must-watch.
Second on my list of addictions is Movies.. the only thing I could possibly love more is my Dearest Waakye lol. Nothing else does a better job of reminding me that ANYTHING is possible with the right amount of effort. I have great eye for details and flaws in scripts. Shallow scripts bore me. I am an avid reader. Your everyday Mr Nice guy. Always the last to speak in a room full of smart people. Half Human, half Martian but full MOVIE FREAK.