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Movie Review: ‘SÉANCE’- A Decent Blend of Victorian Drama and Thrilling Horror

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SÉANCE‘, I must admit, I had never encountered this word before this film. However, after watching SÉANCE, I can confidently say it captures the essence of the word through its haunting narrative and the masterful way it tells its story. Vivian Kerr, the brilliantly talented writer and director, has delivered a film that solidifies her position as a filmmaker to watch. Having previously seen her work in SCRAP (2024), I can confidently say SÉANCE is a completely different beast, showcasing her versatility and growth as an artist. It is only a matter of time before her name becomes a staple in the film industry.

The film follows novelist Emma Strand (played by Scottie Thompson), who is vacationing at the seaside in 1892 California with her second husband, Albert (played by Connor Paolo). Their tranquil getaway takes a dark turn when they encounter Emma’s first husband, George (played by Jilon VanOver), and his mentally unstable wife, Lillian (played by Vivian Kerr herself). A sudden storm forces Emma and Albert to seek refuge in George and Lillian’s mansion. Throughout the evening, Emma confronts her past, navigates the temptation of adultery, and wrestles with the chilling possibility that the house is haunted by George and Lillian’s recently drowned daughter, Hazel.

The first thing that strikes you about SÉANCE is its impeccable setting in 1892. Vivian Kerr and her team have nailed every detail to transport viewers to the Victorian era. From the exquisite costuming and intricate art direction to the carefully chosen props, everything contributes to an authentic period atmosphere. Even the dialogue and how it is delivered feels true to the time, grounding the audience firmly in the story’s historical context.

Vivian Kerr in SÉANCE (2024)

Initially, the film presents itself as a Victorian-era drama. The character introductions and the interactions suggest a straightforward exploration of interpersonal conflicts. But as the story progresses, it slowly unveils its true nature as a horror-thriller, subtly pulling you into its chilling embrace. This measured pacing allows the tension to build steadily but timely, making the eventual revelations and scares all the more impactful.

Despite its limited four-character ensemble, SÉANCE effectively sustains its narrative across its 85-minute runtime. The film is dialogue-driven, but the conversations are anything but dull. Each exchange feels purposeful, revealing layers of the characters’ backstories and motivations. Vivian Kerr’s writing delivers well-rounded characters, whose strengths and flaws make them relatable, even within the constraints of their specific historical setting.

Emma and Albert’s marriage initially appears to be a typical new union facing intimacy issues. However, as the film progresses, their challenges prove to be far more profound. Through their interactions with each other and with George and Lillian, we learn about Emma’s feelings of deprivation and her struggle with the temptation to rekindle a connection with George. These emotional struggles are handled with sensitivity, adding depth to the characters and their relationships.

On the other side, George and Lillian are grappling with their own trauma. They lost their daughter, Hazel. This tragedy has profoundly affected Lillian’s mental health, driving her to insist on performing a séance to connect with Hazel’s spirit.

Connor Paolo in SÉANCE (2024)

The turning point of the film arrives when the séance is performed. The ritual changes the tone and mood of the narrative, as the mansion’s dark energy seemingly comes alive. A sense of foreboding builds, creating the impression that something sinister lurks in the shadows, waiting to consume everyone. This shift in tone is masterfully executed, immersing viewers in a chilling atmosphere that takes hold of you.

Vivian Kerr not only excels behind the camera but also delivers a compelling performance as Lillian. Her portrayal of a grieving mother consumed by guilt and teetering on the edge of sanity is both heartbreaking and unnerving. Lillian’s pain and desperation drive much of the film’s intensity, making her a standout character. In several ways, she is the character that drives the narrative’s shift to its actual horror and thrilling themes.

The supporting cast also shines, with Scottie Thompson, Connor Paolo, and Jilon VanOver each bringing their characters to life with depth and nuance. Their performances ensure the film’s emotionally charged narrative remains grounded and believable.

The sound design in SÉANCE deserves a mention as well. Every creak of the mansion’s wooden floors, every whisper of the storm outside, and every unnerving silence is crafted with intentionality. The result is a brooding, atmospheric soundscape that amplifies the film’s horror elements. While SÉANCE isn’t a traditional slasher, it has some well-timed beats and jump scares that are enough to have your heart pounding at some point.

The film’s narrative takes an unexpected twist toward the end, offering some clarity about the horrors the characters face. However, this twist doesn’t entirely explain the motivations behind certain choices made by the characters, leaving some questions unanswered. This ambiguity may frustrate some viewers but also lends the story an air of mystery that stays on your mind long after the film has ended.

I would score SÉANCE a solid 8/10. While it takes some effort to get through the initial setup, once the narrative gains momentum, it becomes an enthralling experience. The film’s rich characters, atmospheric setting, and compelling story make it a worthwhile watch. Vivian Kerr’s talent as a writer, director, and actor is undeniable, and SÉANCE further confirms this for me.

Second on my list of addictions is Movies.. the only thing I could possibly love more is my Dearest Waakye lol. Nothing else does a better job of reminding me that ANYTHING is possible with the right amount of effort. I have great eye for details and flaws in scripts. Shallow scripts bore me. I am an avid reader. Your everyday Mr Nice guy. Always the last to speak in a room full of smart people. Half Human, half Martian but full MOVIE FREAK.

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